Simon Dunmore & Mark Vessey focus on new vinyl print

    Simon Dunmore & Mark Vessey focus on new vinyl print

    Simon Dunmore and Mark Vessey focus on their collaboration on Simon, the newest print in Vessey’s ongoing Collections sequence.

    How do you distil 40 years of music obsession right into a single stack of data? That’s the query that confronted former Defected Information CEO and Glitterbox head-honcho Simon Dunmore upon embarking on a journey with photographer Mark Vessey. 

    The newest print in Vessey’s ongoing images sequence, Collections, captures the spirit of Dunmore’s extraordinary profession from the dancefloor to the DJ sales space, from file shops to assembly rooms and much past. Spanning genres reminiscent of soul, funk, disco, home and way more, the gathering is a snapshot of the music that Dunmore has carried by means of the years.

    VF’s Kelly Doherty sat down with Dunmore and Vessey to debate the origins of the undertaking and the enduring visible attraction of vinyl.

    The place did the preliminary undertaking thought come from?

    Mark: It’s one thing that I at all times needed to do and it was by means of a mutual buddy.

    Simon: It was from {a magazine} known as Religion, which Defected was concerned with once I was working there. I used to be very conscious of Mark’s work as a result of I’d come right down to Brighton and seen it hanging within the Enter Gallery. Then, Simon Dawson, that works with Defected and helps edit the entire Religion Journal, reached out to me and mentioned ‘Mark Vessey needs to collaborate with you’.

    I used to be like ‘actually? I completely love that’. It was a type of serendipitous moments the place we have been conscious of one another however didn’t know we have been each conscious of one another. Right here we’re, about 18 months later, and the work is completed.

    Simon Dunmore & Mark Vessey focus on new vinyl print
    Simon Dunmore, Mark Vessey | Picture credit score: Toni Tambourine Tambo PR

    Speak to me in regards to the choice course of for the data you’ve included.

    Simon: I spent two weekends going by means of my assortment. I needed there to be variety when it comes to the artists, producers and labels. I selected data I’d performed as a DJ, data I’ve danced to as a punter and as a lover, and data that I’ve signed in my profession as a music government, whether or not that be working for the foremost labels or beginning Glitterbox.

    It displays my musical journey from a really early age proper by means of to now. I’ve clearly taken a slight step again and I’m not operating the label anymore, however I’m nonetheless going to share my musical tastes wherever. I’m simply not going to DJ a lot nowadays.

    There’s a mixture of legendary established albums and new releases like Róisín Murphy’s Incapable. How did you choose newer releases to be included?

    Simon: My factor is, as a DJ, it is best to be capable to pull from the previous and play data that sit comfortably amongst modern data and manufacturing. At a celebration like Glitterbox, I can play a Salsoul file and I may dovetail actually simply into Róisín Murphy.

    She’s a modern-day iconic artist who will match nicely now and nonetheless will match comfortably into basic file collections 15 or 20 years from now.

    How did it really feel wanting by means of your whole data? What feelings did it carry to the fore?

    Musical journeys are private to individuals. Folks break as much as music, they fall in like to music, and so they meet individuals on the dance ground. There have been these sorts of reminiscences and reminiscences of being a pumped-up DJ on nice nights, rocking the group, and that also makes me smile.

    Then there are data you hear for the very first time that no one has heard when an artist or a supervisor has despatched a demo to you and also you’re the primary individual to listen to that file, that then is vastly standard and rock dance flooring or the radio.

    Had been there any visible concerns with the choices?

    Simon: I needed to think about what Mark was making an attempt to attain, so each file has to have a backbone in order that you possibly can have a look at and see clearly.

    Some albums are clearly extra seminal than others. One thing like “The Dialog” by Lil Louis is a really key second in time for the acid home motion–a Chicago artist doing an album of home music–they have been actually early days throughout the scene. That album nonetheless stands. Mark guided me by means of that course of closely.

    Mark: We restricted it to 2 albums by the identical artists. Then determined which we have been going to truly put into the paintings itself.

    Simon: I may have picked any of 4 or 5 Loleatta Holloway albums. We determined upon Love Sensation as a result of I may inform a narrative about Glitterbox and it was a disco second. Though I cherished her as a soul artist, she was an artist who transcended from being a extremely gritty soul act to being an iconic disco artist that’s nonetheless sampled at the moment.

    Mark, what continues to attract you to capturing collections?

    Mark: I like with the ability to plug right into a cultural second, one thing the place I’m in a position to go by myself journey and be taught by means of one other’s expertise.

    With Simon, he has 40 years and an expanse of labor inside membership tradition and with the file label. It was an actual journey for me to be taught by means of Simon. That’s what I do. I actually love that it’s nearly like a portrait I’m taking. It condenses all the things right down to turn out to be excess of what it’s–only a stack of magazines or vinyl–it’s extra a illustration of Simon’s profession, and that’s what I actually love.

    Simon: Everybody I share the artwork with is intrigued. They give the impression of being intensely and might inform their very own tales. My assortment might be an analogous journey to many individuals my age and might relate to data particularly. I believe individuals’s interpretations after they have a look at it might be like mine, but additionally utterly totally different. You possibly can put your personal spin on it.

    Mark: It’s an expertise as nicely. Simon’s story displays the folks that he has touched or labored with which were a part of that journey with him in his profession. I like that thread and the precise tangible objects of the vinyl and the way it speaks to us.

    Simon Dunmore | Picture credit score: Toni Tambourine Tambo PR

    Information are one thing that we show publicly however can inform such personal, private tales. Mark, do you are feeling you may have a greater understanding of Simon after this undertaking?

    Mark: Undoubtedly. I already needed to work with Simon and when he got here to my home and had a cup of espresso, we talked about his personal story, the data that he was choosing and the explanations these data have been necessary. I had a buzz after that assembly and it actually cemented the work that went into the {photograph}, and the paintings itself.

    Why do you suppose individuals have a permanent fascination with the visible aspect of vinyl?

    Simon: I believe making music has been made a lot simpler by expertise and other people making data on their laptops. For those who’re going to put money into going to a urgent plant, chopping a file, making an attempt to get right into a file retailer, going by means of that complete technique of a distributor taking it, a purchaser in a file retailer shopping for 10 or 50 copies to hold on their wall and making an attempt to promote it, it’s a much more severe course of.

    There’s additionally a nostalgic and romantic attachment to vinyl. It’s nearly prefer it’s from one thing again within the day. Individuals are searching for magic. I cherish the data I’ve purchased, that I went to a file retailer and paid my hard-earned for and racked on my cabinets. That course of takes quite a lot of time and dedication.

    Mark: There’s the concept the message is within the medium and you may’t as simply leap with a file. It slows you down and will get us off our cell phones. It brings us into ourselves within the right here and now.

    Simon: You possibly can’t decide up a file and have a look at the sleeve notes or on the paintings, all of these issues. I imply, with a few of my most cherished data, I like the music that’s contained with them, however I additionally love the paintings, and I like the musicians which are concerned in it.

    Simon Dunmore | Picture credit score: Toni Tambourine Tambo PR

    What do you hope individuals take away from the exhibit?

    Simon: That’s a troublesome query. I hope they’ll recognise the truth that music has been such an enormous a part of my very own private life. I at all times say that from the times of creating a cassette compilation and giving it to my mates, or working behind a file retailer, or being behind a DJ sales space, and even proudly owning a file label–I’m sharing my private style in music. I suppose I’m very lucky that individuals have aligned with that through the years.

    I additionally hope that individuals will have a look at the paintings and go ‘I like that file. I like that artist. That label’s necessary to me. I perceive why he’s included that as a result of I’ve obtained my very own Salsoul rack or Strictly Rhythm rack’. There are like-minded individuals my age or barely youthful which were by means of related journeys and I hope they’ll join with the artwork in that respect.

    Mark: I completely agree with all the things Simon mentioned. I hope that by telling Simon’s story, individuals will see themselves.

    Simon will launch at Brighton’s Enter Gallery on Could 25.


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